Tom Cruise and Steven Spielberg aren't done collaborating: we've learned they're planning a new action film called Nomad!
[Marvel](https://www.giantfreakinrobot.com/ent/sex-marvels-x-men-comic.html) and DC, but no one seems to be suffering from franchise fatigue just yet. [stunts](https://www.giantfreakinrobot.com/ent/tom-cruise-stunts-sell-scientology.html). [Top Gun](https://www.giantfreakinrobot.com/topic/top-gun): Maverick director Joseph Kosinski, who helmed the first film, will once again work with Cruise in the follow-up. [Deadline](https://deadline.com/2023/02/steven-spielberg-tells-tom-cruise-saved-hollywood-doesnt-regret-turning-down-directing-harry-potter-the-sorcerers-stone-1235260021/) reported in February, Spielberg famously credited Cruise with saving โHollywoodโs assโ by waiting for Maverick to release in theaters rather than sending it straight to streaming. [Tom Cruise](https://www.giantfreakinrobot.com/cltr/tom-cruise-height-age.html) and Steven Spielberg have worked together twice before on features long before we heard about Nomad, and both were sci-fi blockbusters. We recently learned the star is ready to make
Stanley Kubrick has inspired others to try to finish what he started, but the difficulty level of pulling it off remains sky high.
The opaque nature of his films presents the greatest challenge in adaptation. [the director had a unique interpretation of the world](https://collider.com/stanley-kubrick-characters-morally-compromised-a-clockwork-orange-the-shining/) and the construct of the film medium. As a devoted listener to BBC Radio, Kubrick heard an audio serial drama, Shadow on the Sun, and was immediately drawn to adapt it for the screen. This goes against the constant myth and legend-making of Kubrick as the hermetic artist who viewed the world with antipathy, as in the wake of the massive success of Schindler's List, he found [no financial viability for the project](http://www.newyorker.com/culture/richard-brody/archive-fever-stanley-kubrick-and-the-aryan-papers). The news of him adapting Kubrick's script into a miniseries never took off when Aryan Papers, an adaptation of Wartime Lies, a novel by Louis Begley, would have examined the genocide against the Jewish population in the Nazi regime from the perspective of a boy and his aunt while in hiding. The connection to the text is evident. It seems fitting that Kubrick, a mythical-like figure that was often closed off from the rest of the world, would be tied to many unfinished films. [creating a card catalog](http://www.lamag.com/culturefiles/the-final-cut-taking-stock-of-stanley-kubrick2/) of various factoids and intricacies during his reign. [Steven Spielberg](https://collider.com/tag/steven-spielberg/) announced that he is developing a [miniseries on Napoleon Bonaparte](https://collider.com/steven-spielberg-adapting-stanley-kubrick-napoleon/). The series, still in the works, is based on a script from none other than [Stanley Kubrick](https://collider.com/tag/stanley-kubrick/). Any filmmaker, including ones with the aptitude of Spielberg, will be criticized at perhaps an unfair scale, whether it is due to their cheapened attempt to mimic Kubrick's style and tone or inserting their voice rather than staying true to the original text.
And in December, Leonardo DiCaprio took on the role of Frank Abagnale, Jr. in "Catch Me If You Can," an ambitious semi-biographical drama where DiCaprio played ...
Ironically, one of Spielberg's best traits as a director is how he approaches each of his films with a genuine sentimentality and child-like wonder that he hasn't lost touch with. "They walked out of 'Amistad,'" Spielberg told Roger Ebert back in 2002. Especially since he skipped over some uncomfortable key scenes, leaving behind mostly the political interludes, it's hard to imagine what a kid would gain from that viewing experience. And in December, Leonardo DiCaprio took on the role of Frank Abagnale, Jr. I rarely look back at the movies I've made except when my kids see them for the first time. Despite his accolades and his huge box office successes, Spielberg's children, as it turns out, would be his toughest critics.