The Last of Us episode 3

This is a particularly hot and humid location, one that would make sense as the site of a hypothetical outbreak when you consider what was said back in the ...

We wonder mostly if a lot of this information will eventually be uncovered and tied to a cure, something that would probably not happen this season, but could be brought up in a far greater capacity. This is a particularly hot and humid location, one that would make sense as the site of a hypothetical outbreak when you consider what was said back in the flashback at the start of the pilot. This is an extended episode that could present a lot of interesting drama with Joel, Ellie, and many others.](https://m8a8c2m5.stackpathcdn.com/wp-content/uploads/2023/01/The-Last-of-Us-season-1.webp)

By the end of 2023, there will be a major discussion on what are the best television episodes of the year. This week's The Last of Us will be part of that ...

Chances are you're already watching The Last of US TV series but if you're not you need still need to watch episode 3. It's magnificent television.

You need to make changes here and there because what works for one won’t necessarily work for the other. This makes it a pretty good jumping-on point for new viewers, who may be worried about joining The Last of Us a little late in the game. I must say I’m shocked you clicked this article, and secondly, do yourself a favour and watch The Last of Us episode 3. So what makes The Last of Us episode 3 so good? If that’s the case, then you don’t need me to tell you how excellent this [TV series](https://www.thedigitalfix.com/best-tv-series) has been, and chances are you’re already planning on setting aside some time to watch episode 3. We’re not going to spoil anything for you; that would be very cruel, and this isn’t going to be a full review.

Don't miss the momentous third episode of The Last of Us on HBO and HBO Max, airing Sunday (January 29th) in the U.S. at 9 p.m ET/ 6 p.m PT!

The Last of Us is led by Pedro Pascal as Joel, who is a survivor in the pandemic-ravaged America. It premieres on the 30th of January, and it’s totally free for the initial two weeks. The Last of Us episode 3 will be premiering on Sky Atlantic and NOW at precisely 2 a.m. If you’re in Australia and wish to watch The Last of Us, look no further than Binge! We can’t help but wonder if The Last of Us episode 3 might just be too much for HBO Max’s servers, considering the growing public interest in this show. In addition to that, HBO recently confirmed Season 2 and we’ve got all the info on how to watch Episode 3 from anywhere. As the usual home for HBO and HBO Max Originals in the United Kingdom, you can count on an amazing show brought to you by this iconic network. Utilizing a top-rated VPN will grant you access back home to all of your favorite apps. [Nick Offerman](https://fanfest.com/?s=Nick+Offerman) uttered the seven magical words — “Not today, you new world order jackboots” — as Bill in The Last of Us episode 3 trailer, it sent a wave of excitement throughout the internet. I have seen this particular episode twice, and both times were equally pleasurable experiences. Following a lively debate between Bill and Frank (Murray Bartlett, White Lotus alum), the audience will be in for an extraordinary journey. at 9 p.m ET/ 6 p.m PT!

Ellie (Bella Ramsey) and Joel (Pedro Pascal) continue their journey in The Last of Us episode 3, titled Long, Long Time. Throughout their journey throughout ...

[HBO] The Last of Us Episode 1: Who Is Riley? [HBO] The Last of Us Episode 3: Is Tess dead? The cast of The Last of Us Episode 3 is available on tvacute.com.

The second episode of The Last of Us premieres on HBO and HBO Max Sunday, January 29. Titled “Long Long Time,” this one revolves all round Bill (Nick Offerman) ...

You can use your cable username and password to log into HBO Max, which will let you to watch The Last of Us on most devices. Wondering how you can watch The Last of Us Episode 3? [The Last of Us](https://decider.com/show/the-last-of-us/) has reveled in the misery of the Cordyceps brain infection.

We're two episodes into the first season, with the third set to premiere tonight. Of course, it's one episode that fans of the video game are particularly ...

The Last of Us episode 3 will air in the United States on HBO on Sunday, January 29, at 9:00 p.m. ET on Sunday, January 29 With Tess telling Joel to take Ellie to see them in We’re two episodes into the first season, with the third set to premiere tonight. The Last of Us episode 3 makes its presence felt on TV screens tonight. If that sounds familiar to you, it’s probably because [HBO](https://bamsmackpow.com/tv/)‘s last phenomenon, House of the Dragon, also found itself getting an early renewal in the days after its debut.

There are only two ways to watch the series: You can tune in to the HBO network or stream the episode via HBO's streaming platform, HBO Max. If you can't tune ...

The Last of Us episode 3, titled “Long Long Time,” airs on the HBO network tonight, Sunday, Jan. Otherwise, and even more convenient, you can stream the episode on HBO Max at any time after 9 p.m. There are only two ways to watch the series: You can tune in to the HBO network or stream the episode via HBO’s streaming platform, HBO Max. [HBO](https://hiddenremote.com/hbo/) has already renewed The Last of Us for a second season, so there is much more to come if you have not yet watched the show. You are only two episodes behind, The Last of Us episode 3 premieres tonight, Sunday, Jan. [The Last of Us](https://hiddenremote.com/2023/01/23/can-you-watch-the-last-of-us-if-you-dont-have-hbo-max/), you’re going to need tissues because this one is a tear-jerker, folks!

Sunday's The Last of Us, titled 'Long Long Time,' runs for a long, long time. HBO has confirmed the title and running time of episode 3, which introduces a ...

Episode 5 is titled "Endure and Survive" and will run for 61 minutes. The Last of Us episode 3, "Long Long Time," premieres Sunday, January 29th, at 9:00 pm ET / 6:00 pm PT on HBO and HBO Max. According to the HBO schedule, the [feature-length episode](https://comicbook.com/gaming/news/the-last-of-us-episode-2-release-time-runtime-length-schedule-guide/) clocks in at 81 minutes, just shy of the 85-minute series premiere.

Warning: this story contains The Last of Us spoilers for episodes 1 and episode 2.] 'So, who's Bill and Frank?' It's the question a curious Ellie (Bella ...

("As awesome as that episode is, there are going to be fans who are upset by it," Neil Druckmann, co-creator of the video game and the HBO adaptation, told [The New Yorker](https://www.newyorker.com/magazine/2023/01/02/can-the-last-of-us-break-the-curse-of-bad-video-game-adaptations), adding: "To me, the story we tell [in episode 3] is authentic to the world. [bitten-but-immune](https://comicbook.com/gaming/news/the-last-of-us-episode-2-how-the-infected-work-explained-types-of-infected/) girl to Firefly doctors out west [working on a Cordyceps cure](https://comicbook.com/gaming/news/the-last-of-us-recap-episode-2-hbo-max/). And if we're not, and we don't know about the game, [it] will just feel right.' And it was that was such a joy to work on. [the romantic relationship](https://comicbook.com/gaming/news/the-last-of-us-hbo-episode-3-what-happens/) between Bill and Frank, something only hinted at in the video game. [Warning: this story contains The Last of Us spoilers for episodes 1 and episode 2.] "So, who's Bill and Frank?" Joel has twice name-dropped Bill and Frank, his suppliers who send signals in radio code: a '60s song means nothing new, '70s means new stuff, and ['80s means trouble](https://comicbook.com/gaming/news/the-last-of-us-episode-1-song-depeche-mode-never-let-me-down-again-streams-200-percent/).

Just two days after HBO renewed The Last of Us for a second season, the beloved video game adaptation continues its first season with the third episode.

And I have a brother out in Wyoming. He's in some kinda trouble, and I'm heading out there to find him.' He tells Ellie to show him her arm and she does as he tells her, 'I just finished Makin' a truck battery. but Bill is hit as Frank helps him inside. We left a window open so the house wouldn't smell, But it will probably be a sight. The girl you were singing about?' Frank asks, but Bill says, 'There is no girl.' Last you the rest of your life,' Joel says. 'I'm gonna start with simple things but I want you to know I'm not a whore. He turns on the security monitors when he sees an infected man walk towards his property... There were certain brands of food that were sold everywhere, all across the country, across the world. and sees someone who has turned, trapped underneath a pile of bricks but somehow still alive. They started to get sick.

Director Peter Hoar explains how Nick Offerman and Murray Bartlett joined forces for the HBO show's surprise detour.

It was a joy to be able to tell the story of The Last of Us without talking about Joel and Ellie, actually. That was one part of it [and] the big hole that he dug and the electrified things. Or rather than a spinoff series, maybe it's just a spinoff of Bill, and it's just digging into that one moment. And we see the scene where they first meet—but then it's a good few years of them working together and understanding each other. Craig was quite particular about the cadences in the song, why he picked that song, and why it had to sound the way it should sound. That was one of the great challenges practically—to surround this set that we'd already built with this fencing, and then to build these pipes and these grinders that would pull the gas and make this flame appear. And I just thought, Nick, just do it with your heart and love it and just be relaxed. Because of course, we had Murray doing it badly and then Nick doing it well. And the things that I, as a gay man, might notice that he does are a bit fussy. Of course, we wanted the story of how it all came to be. And with an actor the stature of Nick Offerman, you just have to ask. And Nick was nervous, not because he was in bed with a man, but nervous because it meant so much.

This week's episode, starring Nick Offerman and Murray Bartlett, stepped away from the main action, offering a melancholy vignette about companionship.

On their way to Bill and Frank’s, Ellie pesters Joel with questions about the pandemic, and he explains to her — and to us — more about what happened. (“It’s like a spaceship!”) As they pull out of the compound, she pops in a cassette tape, and Joel is moved to hear “Long, Long Time,” a song that clearly means a lot to him, too, for his own unspoken reasons. Joel won’t let Ellie take a gun; but when he isn’t looking, she finds the pistol Frank kept stashed in a writing desk, and she shoves into her backpack. In a parallel to the sequence in which Bill fortifies his neighborhood, we see Joel and Ellie stock up for their road trip, grabbing clean clothes, toilet paper, deodorant and other basics. It’s clear these guys are going to hit it off from the moment they meet, when Bill says he is hesitant to feed Frank because he doesn’t want other bums to come by looking for a free lunch — “This is not an Arby’s,” he grumbles. All this domesticity leads Bill to worry that taking pleasure in basic human interactions will be a distraction from his mission to survive, leading to near-fatal mistakes — like the night when raiders try to infiltrate the compound, and Bill gets shot. But on a deeper level, this episode is about how even amid a world-ending crisis, the taste of a fresh strawberry can make a person want to stick around for another day. After Frank coaxes Bill to admit that he has never acted on his attraction to men, they slip into bed together, with Frank promising, “I’m going to start with the simple things.” Bill can’t entirely shake his fear of losing everything to the authorities or to the infected — a paranoia more intense now that he has someone to protect. Instead, most of the 70-minute running time is spent on one long journey into the past, stretching from the frantic early days of the cordyceps plague, in 2003, to one quietly bittersweet day in 2023, not long before Joel and Ellie knock on Bill and Frank’s door. Joel keeps his feelings to himself, but it is easy to imagine that for him this home was a portal to a safer, cozier past, like the one he lived back in Austin. As someone whose favorite post-apocalyptic movie is George Romero’s “Dawn of the Dead” — with all of its long scenes of survivors constructing a combination fortress-oasis in a shopping mall — I could have lingered forever in this episode’s 2003 segment.

Thanks to Murray Bartlett and Nick Offerman, we need an Emmy Award for Best Bottle Episode.

Frank and Bill crush up enough sleeping pills to end their lives together—and go to sleep for one last time. When Joel and Ellie finally arrive in present day (well, August 2023), there’s a key left for them and a hand-written note. Frank tells him that the quarantine zone is completely gone, and Bill lets him out of a hole after testing to see if he’s infected. He plans one final day with Bill, and it’s set to the incredibly recognizable “On the Nature of Daylight” by Max Richter. He wants to spruce up the town and play a little Sims in real life, but Bill reminds him that “we will never have friends, because there are no friends to be had.” Cut to: Joel and Tess having dinner with them outside. Tess thanks the couple for the beautiful meal, but Bill is still on edge. The two of them live together for another three years before he starts to truly feel the isolation of their living situation. With everyone in the town now gone, Bill pops out of a secret bunker he built below his house stacked with guns, barrels of sulfuric acid, and a stack of security camera feeds. Then, he sets up a bunch of booby traps and—as he eats his dinner—watches them go to work on some unlucky infected humans. Next, Joel and Ellie find something even worse: a mass grave of people, all of whom the army didn’t let enter a quarantine zone—because they either had a chance of being infected, or the QZ was just too full. That’s a good thing, because our hero, Joel ( [Pedro Pascal](https://www.esquire.com/style/mens-fashion/a42535800/the-last-of-us-pedro-pascal-jacket/)), must help Ellie (Bella Ramsey) reach the Firefly oasis that she believes is somewhere out there, still trying to find a cure. “You needed a truck battery or whatever, and you made a choice.

Nick Offerman's survivalist takes center stage in the HBO Max adaptation, and you're not ready for this incredible episode of TV.

We never see Frank alive in the game, since he and Bill had a falling out prior to Ellie and Joel's arrival. In the show, when Bill finds him in the trap, Frank says he was on his way to Boston. The duo take Bill's car and hit the road to find Joel's ex-Firefly brother Tommy in Wyoming (with Ronstadt's 1970 song Long Long Time kicking off their journey). Tess and Frank immediately hit it off, while the more severe Joel and Bill find a mutual respect. Bill tenderly pushes Frank into their room and the scene fades to black. And you'll cook a delicious dinner," he says, before taking his pills out of his pocket. Bill is a loving caregiver, helping his partner take his pills and get around. Probably for the best, since Bill had an arsenal of weaponry and seemed absolutely ready for a siege. In 2007, Bill's way of life appears to have served him well -- he looks much the same four years after the outbreak. A flashback reveals how Bill managed to avoid getting dragged into a quarantine zone by the US military after the September 2003 outbreak. The hope is that they can replicate Ellie's resistance and restore the world. Their mission is to get Ellie, who's immune to the [fungus that's turned much of the populace into savage cannibals](https://www.cnet.com/science/biology/features/the-last-of-us-fungal-pandemic-actually-happen-a-scientific-investigation-hbo-max/), to the rebel group known as the Fireflies.

Perhaps even more so than previous episodes that followed the original plot beat-for-beat. That's because the strength of the series lies not—as Mazin claims—in ...

Joel and Ellie are unaware of the significance of its lines: “I think I’m gonna love you for a long long time.” Do you bring the note to Bill (who survives Frank in the game) in order to see his reaction? On the show, we’re not playing Joel, but we are experiencing the world as he is, turning all these possibilities over in our heads. The missableness of these moments gives you the feeling that they exist in a living, breathing world that you (the player) are moving through as your character. Bill has left a note “to whomever, but probably Joel,” telling him that “men like you and me are here” to protect “the one person worth saving.” For Bill, that was Frank. The details of Bill and Frank’s lives in the game, for instance, are mostly discovered through missable interactions. Joel balks when Ellie offers to be boosted over a fence, and as long as you treat Ellie like cargo, you don’t have to connect emotionally. That’s because the strength of the series lies not—as Mazin claims—in how it adapts the games’ story, but in how it adapts the games’ storytelling. That’s why, when the show was announced, I was skeptical that it could capture the spark of the games, even if it followed the games’ plot. That you’ll eventually care for her enough to be her has to be a surprise, just as Joel’s feelings for her are. [explained](https://www.hollywoodreporter.com/tv/tv-features/the-last-of-us-hbo-pedro-pascal-bella-ramsey-interview-1235290103/) [several](https://www.newyorker.com/magazine/2023/01/02/can-the-last-of-us-break-the-curse-of-bad-video-game-adaptations) [times](https://www.empireonline.com/tv/news/the-last-of-us-craig-mazin-greatest-story-ever-told-video-games-exclusive/) how he planned to do with the series what virtually no video game adaptation has done before: Be good. But the show’s third episode, was not even part of the games.

The Last of Us game's most incidental gay romance becomes a standalone episode with Offerman and Murray Bartlett from The White Lotus.

The Frank (played by The White Lotus’ Murray Bartlett) and Bill of The Last of Us TV show are a near-complete retread. Stand-alone status propelled the spread of “San Junipero” across the face of queer discourse, and it may just walk “Long, Long Time” into the queer sci-fi hall of fame as well. Would you like to see The Last of Us do it for (white) gay men? [expanding on Bill and Frank](https://www.polygon.com/23574585/last-of-us-bill-frank-gay-game-show). But for many, “San Junipero” is most fondly remembered because a romance-centered genre story is rare enough to see on TV, let alone one where a gay couple gets to ride off into the sunset together. They share a far more niche category: self-contained episodes that pivot from the overall thrust of their respective TV series to present a sci-fi-tinged queer love story.

A very special episode explores what waits on the other side of survival. A recap of “Long Long Time,” episode 3 of HBO's “The Last of Us,” starring Pedro ...

hit to that point and the biggest she’d have until 1975 when she topped the chart with “You’re No Good.” It picked up a second life when it was included in Rondstadt’s blockbuster Greatest Hits collection in 1976. [Sign up here for email alerts](https://www.vulture.com/promo/get-vultures-the-last-of-us-recap-alerts.html) for every new The Last of Us recap. Frank insists on fixing up the town a bit to make their surroundings more pleasant and in bringing some others into their world — a couple named Joel and Tess, who Frank knows from speaking to on the radio. But he wants one last day with Bill before taking his own life at the end of a nice meal. “This isn’t the tragic suicide at the end of the play,” Bill tells him. “I know I don’t seem like the type,” Bill replies, to which Frank responds, “No, you do.” Frank knows who this man is and what he needs, even if Bill doesn’t. All he needs to do now is make delicious meals, tool around town in his truck, and enjoy the silence — that and occasionally chuckling when his carefully mounted defense system takes out one of the Infected. In a startling edit that initiates the flashback, the camera frames the blanket of a long-dead baby and then cuts 20 years to show a healthy (but doomed) infant wrapped in the same blanket. After passing a crashed jet — an object of awe for Ellie, who can’t believe Joel is so dismissive of the miracle of flight — he attempts to steer her away from a grisly mound of skeletons, innocents rounded up by the U.S. Still, it’s deeply connected to one of the show’s central concerns with the sort of connections that can survive the cordyceps apocalypse and what it takes to sustain those connections in a world defined by dehumanization, only some of it caused by mind-controlling fungus. He has a bunker full of guns, security cameras trained on all corners of his property (a lovely two-story house not far from Boston), and all the supplies he needs to get by. He hasn’t been a dad in a while, but the old instincts seem to be kicking in.

Episode 3 of The Last of Us is the biggest diversion from the game, but may also be the best episode of the entire first season.

Fighting through the tears, Bill says that he can’t, but Frank asks if Bill loves him, to which he replies yes, and Frank says that he should “love me the way I want you to.” With tears in both of their eyes, Frank says that he's had a lot of bad days, and yes, a lot of bad days with Bill too, but he’s had more good days with Bill than anyone else, so he asks for one more good one. At the end of the meal, Bill brings out two more wine glasses, prepared to end the life of his love. Frank asks who the girl is that Bill is singing about, to which Bill states, “there is no girl.” Frank puts his arm around Bill and says, “I know.” Frank tenderly kisses Bill, a moment of intimacy that leaves Frank crying and Bill almost shaking with joy. Later, the two sit together; Bill has clearly been crying, asking about the possibility of finding a doctor — to which Frank says that they didn’t have a cure for his disease before the world ended, so what good would that do? Joel points out the faultiness of Bill’s fence and says that he can get him supplies that will last him the rest of their lives. Bill lets the man out of the hole, checks with a device to see that the man isn’t infected, and at gunpoint, points him in the direction of Boston. Bill and Frank jog around the neighborhood, and Frank says he has a surprise. The two are having a fight after Frank asked for some paint and a little gas for the lawnmower. Bill says that if he feeds Frank, everyone he tells about his free meal will come by looking for a handout, and yet, Bill eventually finds compassion for Frank and brings him to his house. As he eats his dinner, we see on his monitors that he’s set up even more cameras around the town, so he can keep a better eye on the perimeter and the traps he's set to keep infected away. But “Long Long Time” takes a different, and more moving approach to Bill and Frank’s story, which gets Joel and Ellie to the same place they need to be, but through a beautiful look at two people who saved each other during the end of the world.

Pedro Pascal and Bella Ramsey take a backseat to a beautiful love story starring Nick Offerman and Murray Bartlett.

With an hour still on the clock, The Last of Us pushes into another window of sorts, tripping backward in time all the way to the start of the outbreak. It is way too soon to talk about The Last of Us’s third episode, “Long Long Time,” as the best episode of 2023, let alone the best episode of The Last of Us, right? Consider it one last tip of the Red Sox cap to the New England faithful.) Despite no imminent danger, ghosts lurk throughout Joel and Ellie’s trek. Is it too soon to declare it the best episode of 2023 and The Last of Us, so far? Following an opening two installments that demonstrated astounding fidelity to the video game it’s based on, The Last of Us breaks the mold with its riveting third episode, a 75-minute meditation on life and love in the not-quite-a-zombie apocalypse. It’s still The Last of Us, after all.

And unfortunately, while scavenging for more supplies, Bill, Joel and Ellie find that Frank has died by his own hand. And not only that, in his final note, ...

Joel takes this as a sign to continue protecting Ellie and take her to the Fireflies out west. (Shoutout to both Offerman and Bartlett for the incredible outpouring of emotions during this incredibly heart-wrenching scene.) Frank confesses to Bill that he’s had “more good days than bad days” with him during their life together and that he just wants Bill to give him “one more good day” and respect his wish to go out on his own terms. “This isn’t the tragic suicide at the end of the play,” Bill says to him. The two share a kiss and a moment of sexy time before everything goes to hell later that night. His daily routine mainly consists of painting, taking a mixture of pills, and relying on Bill to transport him in and out of his wheelchair. Frank gives Bill a list of desires that include toast for breakfast, getting married at the restored boutique, and having one last tasty meal together before helping him end his life. In a move of desperation and charming distraction, Frank rushes from the dinner table and over to Bill’s vintage piano to prove that he could earn his keep by being entertaining. Bill doesn’t understand why Frank wants to trim the grass and repaint the crumbling storefronts of their vacant town. The ever-paranoid Bill keeps a gun pointed at Joel the entire meal while Frank and Tess gab over wine. After a snarky tête-à-tête between the two men, Bill gives in to Frank’s handsome face and deep blue eyes and allows him to stay at his home temporarily just to recoup. For those who haven’t played the game, but are eager to join in on the discourse, here’s a quick rundown: In the game, Joel and Ellie come across a former acquaintance of Joel’s named Bill, who is the sole occupant of a small town that he’s heavily reinforced to keep out infected. Upon investigating the disturbance, Bill is surprised to see it’s another person and immediately launches into hostile defense—it has been a while since he’s interacted with another human.

HBO's The Last of Us is a mostly faithful adaptation of the hit PlayStation game. But just how close to its source material does it get? Episode 3 takes a big ...

According to the developer, it cost more to make than The Witcher 3's Blood and Wine expansion, which was practically a whole game in and of itself. The team consulted with fans early on in development, and this resulted in some incredibly creepy environments, so creepythat technical director David Robillard didn't like playing with headphones on after hours. HBO's The Last of Us is a mostly faithful adaptation of the hit PlayStation game.

If the hoopla surrounding "The Last of Us" has felt at all excessive through the first two episodes, the third chapter of the HBO series lives up to the ...

“But I was wrong.” Yet the show has After sharing a meal, Frank plays Bill’s piano, kisses him, and winds up staying, well, for the rest of their lives. Discovery.) … But from an objective point of view, it’s incredibly romantic.” “I’m satisfied.

Looking Through a Window — After Joel and Ellie stock up on supplies, the pair drive out of Bill and Frank's settlement in Frank's old truck. Rather than ...

It then pushes in until the neck of Ellie’s guitar, the windowsill, and the curtains are in the foreground. Much like Part 2, “Long Long Time” ends by reminding us of how new lives can grow in the wake of old ones. In “Long Long Time,” Joel and Ellie’s journey west is visually framed by symbols of Bill and Frank’s love. Looking Through a Window — After Joel and Ellie stock up on supplies, the pair drive out of Bill and Frank’s settlement in Bill’s old truck. In its last shot, Episode 3 looks out of their open window as the truck drives away. [HBO’s The Last of Us](https://www.inverse.com/entertainment/the-last-of-us-video-game-curse-adaptation), viewers are introduced to Bill (Nick Offerman), a survivor who took over an entire town after [the show’s zombie outbreak](https://www.inverse.com/science/last-of-us-hbo-zombie-science) forced the rest of humanity to relocate to fortified zones.