The Last of Us' Episode 2

This week brought a more in-depth look at post-apocalyptic Boston as well as more details about what exactly has happened to the planet.

A professor of mycology, Ibu Ratna (Christine Hakim), is brought in by the government to examine the corpse of a woman who had gone on a murderous rampage under the apparent influence of “cordyceps” — a mushroom with bad vibes that is generally unpleasant to be around. Even in the Jakarta prologue, the first real sign that something isn’t right is when the professor cuts into a subject’s leg and no blood spills out — only a fibrous white substance. But as Joel and Tess explain to Ellie — who only knows about the plague from what she has read in books and heard through the grapevine — there are still large numbers of mindless infected killing machines all across the city, writhing on their bellies in the streets in order to stay connected to an underground fungal network. There is a scene about halfway through this episode when Tess leaves the other two behind to scout for a pathway behind some rubble, and Joel and Ellie’s awkward conversation is almost painful to witness. In fact, throughout the episode, our heroes end up trashing a lot of the past. The fungal origin of this zombie-style apocalypse has also inspired some spectacularly creepy imagery, from the tiny tendrils that snake out of the infected’s mouths to the darkness-dwelling creatures whose heads look like split mushrooms. (Asked where she learned to juggle a sharp knife, she cracks, “The circus.” Told that their path to Beacon Hill can go “the long way” or “the ‘we’re dead’ way,” she replies, “I vote ‘long way,’ just based on that limited information.”) Because she talks incessantly, by the time the travelers hit their first big roadblock, she has explained a lot about what her life has been like up until now: spending her days in classes with the other QZ kids, learning about the culture they can’t see firsthand and spending her free time exploring the places she’s not supposed to go. Once again there is a pre-opening credits prologue, set in Jakarta in 2003, revealing the origins of the mayhem we heard about on Joel’s radio in Austin last week. This episode offers several good “get to know you” scenes for Ellie, who was initially introduced as a sassy detainee, aloof and angry. Only when the camera angle changes can we see that she is actually asleep indoors, in one of those rotting old buildings. This week features more of a grand tour — and honestly, it’s kind of awesome. A big reason so many people are drawn to movies and TV shows about the End Times is that there’s something both exciting and eerie about seeing the bones of our world, gnarled and repurposed.