White Noise

2023 - 1 - 1

Post cover
Image courtesy of "IndieWire"

Greta Gerwig: 'Barbie' Is 'Connected' to 'White Noise' Adaptation (IndieWire)

"Barbie" co-writers Greta Gerwig and Noah Baumbach revealed there is a connection between the Mattel movie and the "White Noise" adaptation.

When you’re like, ‘I am terrified of that.’ Anything where you’re like, ‘This could be a career-ender,’ then you’re like, ‘OK, I probably should do it.’” Gerwig agreed, saying, “Everything got written in 2020, they very much feel like they came out of the same place in a way. [Barbie](https://www.indiewire.com/t/barbie/) escaping both a doll world and an airborne toxic event? “So that was all sort of happening during that first year of the pandemic. The execution is different but there are aspects of the world of ‘White Noise’ that actually informed some of how we looked at ‘Barbie.'” And it’s not just big hair that both movies have in common: Baumbach helmed “White Noise,” which starred Gerwig alongside Adam Driver, while Gerwig directs “Barbie” from a script she co-wrote with Baumbach.

Post cover
Image courtesy of "The Review Geek"

White Noise (2022) Movie Review – Musings on the inevitability of ... (The Review Geek)

It may come as a surprise that Noah Baumbach (Frances Ha, Marriage Story) would depart from his personal, naturalist style to make White Noise, an absurdist ...

One distraction, and the horrors of this world become only white noise in the background, washed up by the bright colors of consumerism–but also the presence of loved ones. DeLillo’s novel has long been considered unadaptable due in part to its complex explorations of death, consumer culture, technology, and intellectualism–just to name a few themes. Baumbach proceeded to faithfully follow the novel in his movie, which follows Jack Gladney (Adam Driver), a college professor of his self-created Hitler Studies department. It was 2020, at the start of the worldwide COVID-19 pandemic, that Baumbach reread DeLillo’s book and found parallels to our own dark times. But intrusive thoughts soon become a realer possibility when a train wreck releases deadly chemicals into the air of their town, creating a situation called the “airborne toxic event.” Predominantly, in this case, the universal struggle against the inevitability of death.

Post cover
Image courtesy of "Collider.com"

The 'White Noise' End Credits Scene Is One Long LCD ... (Collider.com)

The end credits scene for Noah Baumbach's White Noise, starring Adam Driver & Greta Gerwig, doubles as an LCD Soundsystem music video. Watch it here.

The end credits scene takes place in the supermarket which serves as a transitional setting for the various sections of the story. The characters in White Noise are all obsessed with death. White Noise is adapted from the classic 1985 novel of the same name by Don DeLillo and follows a blended family as they face the inevitability of death in various ways.

Post cover
Image courtesy of "Stereogum"

LCD Soundsystem's 'White Noise' Dance Scene: Watch (Stereogum)

When LCD Soundsystem returned this fall with “new body rhumba,” their first new song in five years, it was revealed that the song soundtracked a dance ...

[new body rhumba](https://www.stereogum.com/2201235/lcd-soundsystem-new-body-rhumba/news/),” their first new song in five years, it was revealed that the song soundtracked a dance number involving the full cast at the end of White Noise, longtime James Murphy collaborator Noah Baumbach’s new film adaptation of Don DeLillo’s 1985 novel. Now that the movie has been been out on Netflix for a week, the streaming service has shared full footage of that dance number. It takes place in a supermarket where college professor Jack Gladney (Adam Driver), his wife Babette (Greta Gerwig), and their kids are shopping, and it doesn’t spoil anything about the plot.

Post cover
Image courtesy of "Ready Steady Cut"

Why is White Noise Rated R? (Ready Steady Cut)

Why is the Netflix film White Noise rated R? We discuss the popular streaming movie and the reasons for its R rating.

“Top to bottom, White Noise is a hypnotic and engaging look into a profoundly human fear: death. The other possibility of brief violence is when Adam Driver’s Jack shoots and kills a man called Mr. Why is the Netflix film White Noise rated R? There is a scene of brief violence where a train crashes and causes a chemical event and toxic cloud. “White Noise tells the story of Jack Gladney, his fourth wife, Babette, and four ultramodern offspring as they navigate the rocky passages of family life to the background babble of brand-name consumerism. The script does honor the source material’s themes of an ominous outlook on life and a family put under stress because of a “rocky” family life.

Post cover
Image courtesy of "It's A Stampede!"

Review: White Noise (It's A Stampede!)

In White Noise, the year is 1984 and Professor Jack Gladney is a university lecturer who specialises in the study of Adolf Hitler.

I found it to be messy, bloated, and certainly not worth all the time, effort and money. The end result is a film which may boast some stunning cinematography (this is without question), a solid soundtrack by Danny Elfman, and an excellent use of lighting, but jeez, for the most part this movie is all style and no substance. There is some decent material in the film, and Adam Driver puts in a good turn as Jack (even if he does mumble a bit), but White Noise feels like a patchwork piece, whose main aim is to be an Oscar contender. I wanted to connect with the material, but it left me disappointed. The movie is a somewhat absurd drama-comedy, which is currently available to stream on Netflix, following a limited theatrical release in 2022. Despite the unusual subject matter, Jack enjoys his day job, and has built up a great life for himself, which he shares with his wife and three children.

Post cover
Image courtesy of "Sportskeeda"

''They physically came out of the same address'': Barbie director ... (Sportskeeda)

Barbie director Greta Gerwig recently mentioned during an interview with Entertainment Weekly that both Barbie and White Noise were written in 2020 and that ...

The film, directed by Noah Baumbach, stars Gerwig in the lead role and focuses on an aspiring young dancer. Here's a short description of the movie, according to Rotten Tomatoes: [Margot Robbie](https://www.sportskeeda.com/pop-culture/no-words-fans-love-margot-robbie-s-stunning-barbie-avatar) in the titular role, along with Ryan Gosling, Will Ferrell, and many others playing significant supporting roles. It focuses on a professor and his family whose lives take a shocking turn due to a chemical leak in their neighborhood. ''Everything got written in 2020, they very much feel like they came out of the same place in a way. Speaking to Entertainment Weekly, the director further stated:

Post cover
Image courtesy of "HITC"

SPOILERS: The Airborne Toxic Event in White Noise explained (HITC)

Adam stars as Jack Gladney, a professor of Hitler studies who tries to protect his family when a mysterious disaster strikes. It's a film that rewards analysis, ...

It’s uncertain if this is actually something to fear or not but the coverage of the event encourages and curates mass panic. Jack is told that the exposure to the gas could kill him but they won’t know for many years. Ultimately, the Airborne Toxic Event can be interpreted in a handful of ways. It represents the looming threat of death, which is one of the book’s and its adaptation’s most prevalent themes. When a train crashes and collides with another vehicle, a cloud of chemicals begins to rise from the train cars and spread through the neighboring town. It’s based on the 1985 Don DeLillo novel of the same name.

Post cover
Image courtesy of "DailyO"

White Noise on Netflix Review: Adam Driver shines in Noah ... (DailyO)

The writer-director reunites with Adam Driver and his creative and romantic partner Greta Gerwig for a satirical take on academia, consumerist culture, ...

Ending a year of white male directors indulging in self-indulgence (James Cameron with Avatar: The Way of Water, David O Russell with Amsterdam, Damien Chazelle with Babylon), it is not surprising that despite all its merits, White Noise is also a heavily self-indulgent experience for Baumbach. In fact, it’s highly likely that you can get a hint of Wes Anderson’s aesthetically weird film universe as Baumbach has himself co-written two of his films (the very avoidable The Life Aquatic with Steve Zissou and the pleasantly comic Fantastic Mr. So, while White Noise is definitely worth watching, expect it to be as random as Baumbach’s screen credits. As for world-building, the 80s depicted in White Noise is not the sugary nostalgic Utopia that a Stranger Things episode would show you. Throw in an environmental disaster in the mix and you have a perfect blend of human chaos that is comparable to the equally polarising Netflix comedy Don’t Look Up. But then again Baumbach is also the man who wrote the cinematic masterpiece that was Madagascar 3: Europe’s Most Wanted! Yes, there are plenty of colours and retro-tech to generate curiosity but thanks to the bleakness that Driver and Gerwig embody, the 80s of White Noise marks an era of uncertainty and gloom. There is a lot to unpack in White Noise’s 2hours 16minutes duration. Throughout the film, audiences can find these academic pundits just bickering on and on about everyday activities only to arrive at conclusions that are vague or almost inconclusive. The aforementioned novel is often regarded as “unfilmable” by the ones who have read it so Baumbach already had a bunch of well-read bibliophiles ready to grab him by the neck even before the film dropped on Netflix on New Year’s eve. But then again, Baumbach seems to be poking fun at the very such academics that cause much jargon-filled ruckus over anything and everything. Driver sheds his washboard abs for what Gen-Zers call a “dad bod” as he plays a middle-aged professor who specialises in “Hitler studies”.

Post cover
Image courtesy of "IndieWire"

'White Noise' Production Design Interview (IndieWire)

Production designer Jess Gonchor and choreographer David Neumann discuss the film's end credits sequence.

But that was really fun to make, too, because that was all the core dancers in there, and then having people die in the zucchini was a pleasurable thing to do.” The colors of the store and the products and all the advertising and everything hit the highest note of the movie.” Those layers are always thought of in the film,” Neumann said. Some of the color blocks did get swapped around to pair with specific characters dancing in specific aisles, and some of the supermarket’s layout needed to be expanded to accommodate all the dancers, but A&P was ready for its close-up – and that’s the film’s point about American consumerism. One thing that took hours but Neumann was particularly proud of was working with the small group of professional dancers mixed into the crowd on a specifically challenging shot. “We were looking for a dance in a vocabulary that reflected a lot of the movement and a lot of the activity and action and gestures of what we had seen in the film, of people actually shopping in a supermarket, but elevated slightly.” “We talked about it as a kind of a celebration, but not an obvious one, sort of celebrating the complexity of it all,” Neumann told IndieWire. Gonchor tucked hidden messages to the characters within the product advertisements in the supermarket and organized those Rubick’s Cube-like color blocks in the aisles to speak to the Gladney family even though they probably weren’t listening. [Noah Baumbach](https://www.indiewire.com/t/noah-baumbach/)’s “ [White Noise](https://www.indiewire.com/t/white-noise/)” wants its audience to see both the quotidian, smarmy consumerist side of them and the wondrous cornucopia of abundance and possibility underneath. The sequence allowed every department working on the film to flex, from the actors dancing to the camera whirling around like a bird caught in the rafters. The A&P is a heightened space, both sacred and profane, and it’s inside the supermarket where Baumbach can embrace the themes of the Don DeLillo novel and take them even further. “It’s clearly the heartbeat and the nucleus of Blacksmith.

Post cover
Image courtesy of "Esquire.com"

What Went Wrong With White Noise (Esquire.com)

Noah Baumbach wants to be fun, but he's missing a catalyst. In this case, making a film about death doesn't justify it lacking life.

[Adam Driver](https://www.esquire.com/entertainment/movies/a13587773/adam-driver-star-wars-the-last-jedi/) as Jack and Greta Gerwig as Babette makes a lot of sense. The score functions as a nod to the music you’d hear in the blockbuster fare that dominated the '80s. There are moments in the film—Jack’s nightmare, and when he steps onto the roof to look at the plume of smoke—that are meant to communicate the characters’ anxiety. White Noise may not totally stick the landing, but even the ways in which it fails are more interesting than big-budget fare as of late. That relative dullness may in part be due to the film’s subtle use of music. The joint lecture Suskind and Gladney give juxtaposing Elvis and Hitler as fellow momma’s boys is a high point for the film, with the two professors slowly circling each other in an ironic joust of high-minded academese. The film is not so much challenging as it is frustrating. And it’s not just the translation of words to images. Yeah, not exactly the stuff of [Marvel movies](https://www.esquire.com/entertainment/a40458776/marvel-cinematic-universe-mcu/). He took a book many people said was unfilmable, and frankly, filmed the shit out of it. The truck-train crash that sets off the airborne toxic event is one of the most visually stunning things I saw in a movie last year. [Don DeLillo’s](https://www.esquire.com/entertainment/books/reviews/a6861/point-omega-review-0210/) seminal work of postmodern literature, 1985’s White Noise.

Explore the last week