Amsterdam movie

Part screwball comedy, part murder mystery, part political thriller, part social commentary, Amsterdam never locks onto one bullseye.

But they have a strong sense of right and wrong, as well. And yet, Amsterdam is kind of a mess as a movie. (We’re eventually led to believe that Valerie’s not sick at all, and the drugs are a way to keep her somewhat malleable and dependent on them.) Later, as she staggers around the street and struggles to reach the front door of a retired general’s house, the general’s wife believes she’s drunk, not sick. She’s sick, her family says, and they keep her both sequestered to the house and in the thrall of a number of drugs that, she’s told, are meant to help her. A woman is pushed into the street and run over by a car. In the war, he bucks the racism of the day and agrees to lead Harold and other Black men into battle. Burt’s are the most obvious and most debilitating. He and Burt run an annual charity gala for the people they served with, and it’s clearly a passion for both of them. The wartime trauma that both Burt and Harold suffer is traumatic indeed. The priest (brandishing a Bible for emphasis) argues that to keep those jagged hunks of metal amounts to blasphemy. Back home, he dedicates his days to patching up fellow vets—giving them the ability to cover their wounds and to live in society as well as can be expected. The conflict took his eye, his looks, his health and his prospects.

This star-studded period piece from David O. Russell features Christian Bale and John David Washington as war buddies who team up to investigate the death ...

[$15 off Exclusive Uber Eats promo code](https://www.wsj.com/coupons/ubereats) Bale), a physician who lost an eye in the Great War, and Harold (John David Washington), a fellow veteran turned lawyer, are asked to investigate the mysterious death of a friend who was a general under whom they served. [25% off your first $15 order with this DoorDash coupon](https://www.wsj.com/coupons/doordash) Russell), an Oscar-winning star (Christian Bale), two of today’s most sought-after actresses and a couple of other Oscar winners in supporting roles. Just as they start to smell foul doings, they become suspects in a second murder that takes place in front of them, so they race to clear their names and to discover who ordered the slayings. “Amsterdam” arrives with a lot of promise: It has an Oscar-nominated director (David O.

Starring Christian Bale, Margot Robbie, John David Washington, among others, the film is about the Jan. 6 riot and how often throughout history the wealthy ...

Director Russell’s star has fallen significantly since the early, anarchic provocations of his “Spanking the Monkey,” “Flirting with Disaster” and “Three Kings.” Bad behavior and the box office disaster of his brilliant, transcendentalist slapstick comedy “I Heart Huckabees” put his career on ice for years, until Russell was able to reinvent himself shepherding all-star casts to Oscar glory in faux-edgy, commercial crowd pleasers like “The Fighter,” “Silver Linings Playbook” and “American Hustle.” “Amsterdam” feels like the filmmaker’s attempt to marry his prestige picture phase with the overt politics and atonal, exploratory weirdness of his earlier work. Obviously inspired by Francois Truffaut’s “Jules and Jim,” these scenes have a lovely, lyrical quality that goes a long way toward establishing the aura of woozy romanticism Russell seems to be shooting for. The most delightful surprises are Rami Malek and Anya Taylor-Joy as a pair of kooky philanthropists, with Malek’s performance in particular edited to emphasize the breathy pauses in his line readings and the actor’s blank, unnerving stare. (a superbly suave John David Washington) being hired to investigate the mysterious death of their former commanding officer. It’s one of the most obnoxious performances I’ve ever seen, sucking all the oxygen out of the room and driving this critic to distraction, until something clicked somewhere during the second reel and I suddenly started to find him incredibly, unaccountably hilarious. Bale’s playing a disfigured WWI vet who runs a street clinic dispensing experimental pain medications to his fellow wounded soldiers, and spends most of the movie hopped up on his own wares with his glass eye falling out at inopportune moments.

Wondering where to watch Amsterdam, the new Christian Bale movie? Find out where and when to expect Amsterdam on streaming.

That deal runs through 2022—though HBO/HBO Max [ agreed](https://variety.com/2021/digital/news/disney-warnermedia-fox-movies-streaming-2022-1235117329/) to share co-exclusive rights with Disney+, meaning it’s possible that Amsterdam will release on both HBO Max and Disney+ at the same time, possibly around late November 2022. You’ll also likely be able to stream Amsterdam on HBO Max and Hulu. If Amsterdam follows a similar release strategy, you may be able to stream the movie at home as early as late November 2022. Read on to find out where to watch Amsterdam and when to expect Amsterdam to release on digital and streaming. For now, the only way to watch Amsterdam is to see it in a movie theater, when it opens on Friday, October 7. After the movie’s theatrical run, you’ll be able to purchase Amsterdam on digital platforms like Amazon Prime, iTunes, Vudu, and more.

A period piece/dramedy/mystery/thriller/romance/satire, Amsterdam reminded me of listening to a 6-year-old trying to tell you a story that just rambles off into ...

S, and Stadia in 2023.](/videos/cyberpunk-2077-phantom-liberty-teaser-trailer) [Assassin's Creed Codename Red - Reveal TrailerCheck out the reveal trailer for one of the many new Assassin's Creed games that will live under the Assassin's Creed: Infinity umbrella. Clair (Zoe Saldana) and just as they go to reveal the results, Liz is brutally run over by a car driven by a scarred man (Timothy Olyphant), who then convinces the crowd that Harold and Burt pushed her. How the movie went from a charming war friends pastiche to an ending that has Robert De Niro’s General character reading a speech next to actual footage of his real-life counterpart in history doing the same is exactly what’s wrong with Amsterdam. They’re great together, and their halcyon remembrances of Amsterdam as their happiest and purest days of love and friendship are the most affecting of the film. What starts out as a relatively compact and clever tale of two WWI veterans who get framed for murder devolves into a hodgepodge of connected tangents that includes everything from a triangular soulmate relationship to the surreptitious rise of facism in the United States between WWI and WWII. Russell had the discipline to keep a tight rein on the overly ambitious scale of his script.