We need allies who care enough to shift their thinking, so the onus isn't always on disabled people to point out problems, says the Observer New Review ...
We need them to change the way things are from the inside – to stop intolerance creeping into their work in the first place, not amend things retroactively, too late. We need allies to truly care, to shift their thinking and try to see things the way we might. As Audre Lorde wrote in 1984, it is still “the responsibility of the oppressed to teach the oppressors their mistakes … there is a constant drain of energy which might be better used”. For too long, we have let these things slide. All of them, almost certainly, would argue they do not have an ableist bone in their body; too often, apologies take the form of “sorry if you were offended”. Lizzo and Beyoncé listened to the criticism and changed their lyrics, and will hopefully learn from their experiences. As a form of self-preservation we’ve trained ourselves to laugh off inappropriate or thoughtless comments, to see them as “just a joke”. Even if inside it feels as though a dreadful weight is pushing down on you, pointing out that something is causing you pain can feel like spoiling everyone else’s fun, like you’re being overly sensitive and finding offence where there was none. In her medieval fable Lapvona, Ottessa Moshfegh, usually an incredible and fearless writer, uses her characters’ disabilities – their “clawed hand”, “unseemly disproportion”, being “misshapen” – as a way of evoking eeriness and discomfort.
Beyoncé has promised to change the lyrics in a song on her "Renaissance" album after a disability activist accused her of using an "ableist slur."
And she’s used “her power to have the world paying attention to the narratives, struggles and nuanced lived experience of being a black woman — a world I can only ever understand as an ally, and have no desire to overshadow.” Confused, Diviney started digging, eventually learning that Beyoncé had used the words “spaz” and “spazzin’” in “Heated,” a song co-written by Drake. But one of them told Insider in a statement that Beyoncé would change the lyrics. She called out Beyoncé on Twitter. She did the TV and newspaper interviews. “I’mma spaz; I’m about to knock somebody out,” she sings. “I thought we’d changed the music industry and started a global conversation about why ableist language — intentional or not — has no place in music,” Diviney wrote Sunday in an opinion piece that originally appeared on Hireup, an online platform for people with disabilities.
Beyoncé's publicist confirmed that the artist will replace an offensive lyric from a song in her latest album, Renaissance.
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Musician Diane Warren got pulled into a heated exchange with Beyoncé's fans after she questioned how one song could have 24 writers.
"But I have 13 more nominations than U" Warren replied with a cheeky emoji. "Ok, I meant no disrespect to Beyoncé, who I've worked with and admire. asked Warren on Monday. She became a trending topic as she appeared to be referencing Beyoncé's song "Alien Superstar" from her new album Renaissance. Beyoncé has also come under fire recently for problematic lyrics within one of her new songs. Warren was mocked for the amount of award nominations she has, without any wins. I didn't know this, thank U for making me aware of it," Warren replied directly to The-Dream. He responded telling Warren it's all good.
It's on her "Renaissance" album. She follows the rapper Lizzo, who recently took the same word out of one of her songs after complaints from advocates for ...
Disability advocate Hannah Diviney, who pointed out Lizzo's lyrics that lead to the change, wrote on Twitter that hearing the word again used by Beyoncé "felt like a slap in the face to me, the disabled community & the progress we tried to make with Lizzo." Lizzo said in a statement she never wanted to promote derogatory language. "The word, not used intentionally in a harmful way, will be replaced," a spokeswoman for Beyoncé wrote in a statement to The Associated Press on Monday.
Beyoncé is re-recording a song from her new album after facing backlash online over an offensive lyric.
Lizzo wrote in a statement that she would "never want to promote derogatory language". The singer's publicist told the BBC that the word, which can carry a non-offensive meaning in the US, was "not used intentionally in a harmful way". Beyoncé has now revealed via her publicist that she will be re-recording the song without the lyric.
Rodney Jerkins has revealed the story behind the hit single “Deja Vu”, which features on Beyoncé's second album, B'Day. The R&B producer has worked with a ...
“She has that same type of intensity in the booth.” Start your Independent Premium subscription today. “She attacked things so raw and in your face.
Beyoncé: Heated song lyrics on Renaissance album, what is an 'ableist' slur - and did Lizzo use the same word? · In a statement, the singer's representatives ...
This is the result of me listening and taking action. They said: “Pleased to hear that @Beyonce is re-recording Heated to remove the ableist term. She wrote: “I thought we’d changed the music industry and started a global conversation about why ableist language – intentional or not – has no place in music. Words are important because they can reinforce negative attitudes that disabled people face every day. The lyric in question used two variations of the word repeatedly including, “sp*zzn” and “sp*z”. Disability charities and activists h called out the word for being “ableist” and “offensive.”
Diane Warren faced backlash on Twitter after questioning Beyoncé's songwriting credits on one of her new songs.
Own it if you’re going to say it.” U good?,” The Dream tweeted. It was very passive aggressive,” one Beyonce fan wrote. They added: “The road to success is always under construction.” I didn’t know this, thank U for making me aware of it. “Ok, it’s prob samples that add up the amount of writers,” Warren, who has written songs for artists from Cher to Celine Dion, continued.
It comes just weeks after Lizzo came under fire for using the same word in her song 'GRRRLS'
Fellow US star Lizzo faced a backlash when she used the same word in “GRRRLS”, which was released six weeks ago. Beyoncé’s publicist told BBC News the word “not used intentionally in a harmful way”. It comes just weeks after Lizzo came under fire for using the same word in her song “GRRRLS”. Lizzo apologised and quickly rerecorded the track.
Diane Warren has insisted she meant "no disrespect" towards Beyoncé after she called out a song with 24 songwriters. The songwriter to the star's tweet was ...
She went on to explain that she realises it's due to samples that there are so many songwriters. Diane Warren has insisted she meant "no disrespect" towards Beyoncé after she called out a song with 24 songwriters. “I’m sorry for the misunderstanding.”
Diane Warren called out the Beyonce song "Alien Superstar" off "Renaissance" for having 24 writers. Beyonce's fans were not too happy.
“Well it started because we couldn’t afford certain things starting out, so we started sampling and it became an art form, a major part of the Black Culture (hip hop) in America. Had that era not happen who knows. As Warren later pointed out, one reason the song has so many writers credited is because of the samples and interpolations it features. Warren did not mention Beyoncé in her initial tweets but wrote: “How can there be 24 writers on a song?…This isn’t meant as shade, I’m just curious.”
The star's new album Renaissance weaves Black dance music history, feminism and queer thought into an ecstatic masterpiece that defies marginalisation.
Each sound constitutes a dense building block in a seamless, exuberant sonic history of how to live a free life in our Black bodies in spite of enduring attempts to annihilate them. Nearly a decade since Beyoncé pulled Black feminism explicitly to the centre of her repertoire (on her masterful, self-titled 2013 “surprise” album), Renaissance continues to deepen this resolve as it weds cutting-edge pop experimentation with Black feminist liberation principles that speak to our ever-present precarity. To be “un-American” in Beyoncé’s Renaissance age is to be “comfortable in my skin”, as she sings on the slinky Chicago house banger Cozy. The song features trans icon Ts Madison’s soundbite “Black as I want to be” and a verse that not only sets out to “paint the world pussy pink”, but drench it in the colours of Daniel Quasar’s expansive Progress Pride rainbow flag. Into this midst, Beyoncé has unleashed a reclamation of the pleasure to be found in our own flesh. It is the third year of a pandemic in which we continue to struggle to keep our bodies well and gradually learn how to make contact again with other bodies. Oh, to be an “un-American girl” in the year of our Lord 2022.
Beyoncé is removing an offensive term for people with disabilities from a song on her new record, Renaissance, just weeks after rapper Lizzo also changed ...
Lizzo said in a statement she never wanted to promote derogatory language. "The word, not used intentionally in a harmful way, will be replaced," a spokeswoman for Beyoncé wrote in a statement to The Associated Press on Monday. 'The word, not used intentionally in a harmful way, will be replaced'
The-Dream has responded to veteran songwriter Diane Warren after she appeared to snub Beyoncé for listing 24 writers on one song.
Lizzo faced similar backlash over the use of the word in her single “GRRLS.” She promptly removed the lyrics as well. you don’t want that smoke And you know I love you, but come on. Btw I know it’s not a one on one writing contest you looking for from no one over here…… “Well it started because we couldn’t afford certain things starting out, so we started sampling and it became an art form, a major part of the Black Culture (Hip Hop) in America. Had that era not happen who knows. And you know I love you, but come on. Warren replied, “I didn’t mean that as an attack or as disrespect.
Beyoncé is the second artist to remove an offensive term for disabled people from a new song after complaints. Both Beyoncé and rapper Lizzo decided to ...
Lizzo said in a statement she never wanted to promote derogatory language. - PHOTOS: Fun happens at Westfair - PHOTOS: Queen of Westfair
“Hey @lizzo my disability Cerebral Palsy is literally classified as Spastic Diplegia (where spasticity refers to unending painful tightness in my legs) your new ...
Did she learn nothing from the Lizzo episode?” “Maybe now we can learn from these incidents, drop words like this one & make sure there don’t need to be any more retrospective lyric changes?” “Honestly fuck Beyonce,” another tweeted. Surely one of ‘Heated’s 11 writers and 10 producers must have known?” someone else asked. The use of the word “spaz” was criticized by listeners. “It’s been brought to my attention that there is a harmful word in my new song ‘GRRRLS.’ Let me make one thing clear: I never want to promote derogatory language,” the statement read. It's hard to believe that could have gone unnoticed by Beyoncé's team.” I already have chronic fatigue I don’t have to energy to explain multiple times why words are offensive.” “This is the result of me listening and taking action. She did the right thing when being met with deserved criticism, and I hope other artists take note.” Lizzo just went through this and corrected it IMMEDIATELY and Beyoncé still thought she could get away with it? “Did Beyoncé not learn from Lizzo first?!
Songwriter Diane Warren got a lesson in music sampling from Beyoncé's fans and producer after questioning the many writers on the song 'Alien Superstar.'
The-Dream replied again, seeming to recognize Warren’s prolific oeuvre, tweeting: “Btw I know it’s not a one on one writing contest you looking for from no one over here…… Others were quick to punch below the belt and compare her signature dark-haired look to that of convicted socialite Ghislaine Maxwell. “well it started because we couldn’t afford certain things starting out, so we started sampling and it became an Artform, a major part of the Black Culture (hip hop) in America. Had that era not happen who knows.
Lizzo celebrated trending on Twitter with Beyoncé, confusing fans who pointed out both were trending for removing an offensive lyric.
Lizzo is right that both she and Bey have released two of the most talked-about albums of the year this summer, with Special arriving mid-July and Beyoncé dropping her highly anticipated Renaissance July 29. but this is a flex bitch,” she wrote in the caption. In a Tuesday (Aug. 2) Instagram post, Lizzo shared a screenshot from Twitter that proved the phrase “Beyoncé and Lizzo” was trending in the platform’s “ Pop” category.
The superstar has agreed to change ableist lyrics on a Renaissance track, and regarding songwriting credits, Diane Warren is just asking questions.
Warren could have been Googling stuff from six years ago if she was really curious as to how there could be 24 writers on a song. It’s a group big enough that it would probably require a reservation at a restaurant that isn’t of the fast-food sort. After being called out for her repeated use of the word “spaz” on Renaissance’s “Heated” (co-written by Drake), Bey’s rep issued a statement to news outlets. After she tweeted, many pounced on Warren, as people do when so much as the impression of Beyoncé criticism is rudely expelled into the world, fouling up the air we breathe. It’s also a word that Lizzo pledged to remove from her song “Grrrls,” after its June release saw backlash. The critically acclaimed set that is headed to No. 1 on next week’s Billboard’s album chart is at or nearing the point of cultural saturation that tends to trigger heavy scrutiny.
Beyonce will re-record the song “Heated” to remove an ableist slur after public outcry from disabled people, and activists are hopeful that it will signal ...
Renaissance contributor The Dream was one of many to take issue with Warren's Twitter inquiry.
While The Dream’s response certainly received some backlash of its own — not everyone was sure about the accuracy of his history lesson — his spiel certainly humbled Warren. She replied, “I didn’t mean that as an attack or as disrespect. “You mean how’s does our (Black) culture have so many writers, well it started because we couldn’t afford certain things starting out,so we started sampling and it became an Artform, a major part of the Black Culture (hip hop) in America.Had that era not happen who knows. — but not before she was taken to task by frequent Beyoncé collaborator and Renaissance contributor The Dream.
Fox News Calls Beyoncé 'Vile'. Brian Kilmeade and guest Raymond Arroyo teed off on the Renaissance artist for her “X-rated lyrics” and singing about stretch ...
“The word, not used intentionally in a harmful way, will be replaced,” a representative told Rolling Stone. I don’t know.” “Heated” was the source of controversy over its inclusion of an ableist slur in the lyrics, prompting Beyoncé to remove the word “spaz” from the song.
But "disabled people's experiences" are not being used as fodder for song lyrics. "Spazzing on that ass" does not reference a person with cerebral palsy having ...
The more plausible explanation is that she has an image to uphold and has chosen the path of least resistance, bending when needed to merit the good publicity to which she has become accustomed. Regardless, her decision suggests that perhaps she didn't mean what she initially said; that words can be substituted on demand; that she has little attachment to the art she released. She has always been keen on an empowerment-lite aesthetic, choosing to dance in front of the lit-up word "FEMINIST" and sampling the Chimamanda Ngozi Adichie speech "We Should All Be Feminists" on her song " Flawless." Beyoncé and her publicity team are well within her rights to make a calculation about how to best curry favor with her audience. This must stop," tweeted the disability rights organization Scope. "When Beyoncé dropped the same ableist slur as Lizzo on her new album, my heart sank," reads the headline of a Guardian article by the activist Hannah Diviney, who wrote that she has "no desire to overshadow" Beyoncé's "lived experience of being a black woman…but that doesn't excuse her use of ableist language." Beyoncé's publicity team quickly responded to the heat, saying she'd be changing that line and removing the word from the song, just as fellow artist Lizzo did two months ago when she came under similar scrutiny, led by some of the same activists.
Beyoncé will be editing a track from her album 'Renaissance' to replace an ableist slur in the lyrics to “Heated,” a collaboration with the rapper Drake.
In an opinion piece for Hireup that was republished in The Guardian, writer and disability advocate Hannah Diviney expressed her disappointment in Beyoncé, writing that her artistry “doesn’t excuse her use of ableist language — language that gets used and ignored all too often. “The word, not used intentionally in a harmful way, will be replaced,” a Bey-rep said in a statement. It’s more like 9.75’s. Points have been deducted for the use of an ableist slur on track 11, “Heated.” The song, a collaboration with Drake, features the lyric, “spazzin’ on that ass, spaz on that ass.” Determined not to let one offensive moment dull the album’s shine, Beyoncé will be removing the lyric from the track, Insider reports.
Beyoncé is removing an offensive term for disabled people from a new song on her record “Renaissance,” just weeks after rapper Lizzo also changed lyrics to ...
Lizzo said in a statement she never wanted to promote derogatory language. “The word, not used intentionally in a harmful way, will be replaced,” a spokeswoman for Beyoncé wrote in a statement to The Associated Press on Monday. “The word, not used intentionally in a harmful way, will be replaced.”
Beyoncé's 'Renaissance' has arrived, as well as some new promotional photos. Check out the jaw-dropping pictures from her new era.
Beyoncé knows how to deliver a striking pose every time. Photo Credit : Mason Poole* Photo Credit : Mason Poole* Photo Credit : Mason Poole* Renaissance serves as the follow-up to Beyoncé’s last solo studio album: 2016’s Lemonade. The new album’s lead single, the Robin S.-evoking “Break My Soul,” has thus far been climbing the Billboard Hot 100 since debuting at No. 15. Beyoncé unleashed Renaissance on July 29, and with the new era came jaw-dropping images.
Beyoncé has also faced backlash for using the ableist term "spaz" in her song “Heated,” prompting a pledge to change the lyric.
Since Beyoncé released Renaissance, it's been met with some criticism, not just from Kelis. On Monday, songwriter Diane Warren tweeted and then apologized for her confusion over how "Alien Superstar" credited 24 writers. I also know the things that were stolen," Kelis said on Instagram. "Publishing was stolen, people were swindled out of rights — it happens all the time, especially back then." (Kelis isn't credited as a writer or producer of "Milkshake" and so has no legal claim to the song.)
Beyonce performs in Cleveland, OH on November 4, 2016. Brook Kraft/Getty Images. Beyoncé has removed the usage of “Milkshake” from her new song “Energy” ...
“It’s beyond this song at this point,” she wrote in an Instagram caption. She referred to the contentious relationship in her Instagram video, saying, “Publishing was stolen, people were swindled out of rights. Full credits later revealed the song in question was “Milkshake,” with Kelis’ former producers Pharrell Williams and Chad Hugo credited on the track. “Nothing is ever as it seems, some of the people in this business have no soul or integrity, and they have everyone fooled.” Then on Monday, Beyoncé announced she would be removing the word “spaz” from her song “Heated” following backlash from critics who said the word is an ableist slur. “It’s not a collab, it’s theft,” she wrote.
Beyoncé's seventh solo album, “Renaissance,” is a rich tribute to the long history of Black dance music, from disco up through ballroom house.
Connect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. Tune in, and tell us what you think at [email protected]. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. Beyoncé’s seventh solo album, “Renaissance,” is a rich tribute to the long history of Black dance music, from disco up through ballroom house.
With her new album Renaissance, Beyoncé flung open the doors to a nightclub of her own making, a place where anyone can be the hottest person in the galaxy.
Bey dips in and out of outer-space ego and inner-life tension to unite the exceptional and the ordinary on Renaissance. In this context, “Break My Soul,” which felt like working-class cosplay as a single, helps tie together the album’s narrative as a performance that empathizes with lives and dreams beyond her own. We’re all invited — challenged, in fact — to fuck up the night (“Cuff It”), twirl that ass like we came up out the South (“Church Girl”), and go harder (“Thique”). These moments are effective in making Renaissance whole, but “Church Girl,” feels the most powerful and authentic in this vein. You can hear it in the way God is someone you can meet on “Cuff It” and is someone you are on “Cozy.” It’s in the way Beyoncé simultaneously establishes her dominance and your uniqueness on “Alien Superstar.” Renaissance channels the energy and the conceit of the club into a demonstration of self-love. “You have every right to think you are the best at what you do,” Megan told me. Released last Friday, the album traverses eras of dance music to conjure the superhuman confidence and deeply human connection of a night out.
Monica Lewinsky hasn't forgotten about an explicit lyric in Beyoncé's song 'Partition,' which referenced Lewinsky's infamous affair with Bill Clinton.
“I have the right to be frustrated,” Kelis said last week in an Instagram video. Lewinsky’s tweet alludes to an explicit lyric in the Beyoncé hit that name-checks her to illustrate a sexual act. In fact, Lewinsky is so often invoked in music that her Twitter bio reads, “rap song muse.” In response to another “Renaissance” controversy, Beyoncé has reportedly started to scrub a Kelis sample from her song “Energy” from streaming platforms after the “Milkshake” hitmaker publicly objected to it. Lewinsky’s latest appeal to Beyoncé came shortly after a spokesperson for the “Lemonade” artist confirmed that lyrics to the song “Heated” would be altered following a backlash from disability advocates. #Partition.”
Representatives for the pop icon confirmed the word will be removed from the song after it caused backlash amongst advocates and fans. "The word, not used ...
"The word, not used intentionally in a harmful way, will be replaced." At issue is use of the word "spaz" in the track "Heated" on Beyoncé's newest album, 'Renaissance'. Representatives for the pop icon confirmed the word will be removed from the song after it caused backlash amongst advocates and fans. Beyonce Representative, Statement, via Insider. The word is often used as a derogatory term referring to a person with a physical disability.
Beyoncé has removed the interpolation of Kelis' 2003 hit "Milkshake" from her Renaissance track "Energy" on Tidal and Apple.
“I was told we were going to split the whole thing 33/33/33, which we didn’t do,” Kelis told the outlet then. She can contact, right?” Kelis said, noting that 20-year-old singer Ashnikko reached out when her 2021 song “Deal With It” sampled Kelis’ “Caught Out There.” While Kelis sang “Milkshake,” written by The Neptunes’ Pharrell Williams and Chad Hugo, only the production duo are credited as songwriters.
The Beyhive took Diane Warren to task after she seemingly shaded the fan-favorite “Renaissance” track. But how *can* a single song have 24 credited writers?
“Beyoncé is the one performing the song all over the world. I think Beyoncé did everything right and people are trying to turn it into a controversy.” Fowlkes compared the “Alien Superstar” situation to Kendrick Lamar’s “Die Hard,” off the rapper’s recently released album Mr. Morale & the Big Steppers. That song boasted two samples and 14 credited writers, including one whom Fowlkes represents. Then, in the song itself, Beyoncé interpolates Right Said Fred’s “I’m Too Sexy” when she sings, “I’m too classy for this world, forever I’m that girl.” Those three samples add up to seven credited writers right there. An ode to Black and queer music history, Beyoncé uses the album to honor some of the artists responsible for that history—the liner notes include credits for legendary ball DJ MikeQ, ballroom pioneer Vjuan Allure, drag icons Kevin Aviance and Moi Renee, and more. “Producers are probably depending on royalty for income, so imagine telling a producer who actually produced the majority of a record, but there’s two samples in it...it’s just not lucrative. There’s still probably one or two main producers for this song, and you have to tell them, ‘Hey, I know you produced this record but you’re only going to get, say, 5 percent publishing.’” (Still, as Freedman points out, “Even two percent of a Beyoncé song that gets a billion streams will make me good money.”) Speaking about “Alien Superstar” specifically, Fowlkes explains, “There’s a lot of people with probably one percent publishing on this song. Beyoncé sampled three different songs, and with that, she has to include all of the songwriters from all three of those songs. Karl Fowlkes, a New York-based entertainment and business attorney, says, “Music in the streaming world can be super lucrative, but when you start really divvying it out, it can get very small very quickly.” The virtual assault on Warren was quick, stinging, and occasionally just plain mean, with some Beyoncé fans trying to offer “helpful” primers on the business of song samples, and others just outright bullying her. On an album like Renaissance—where Beyoncé uses a wealth of samples and interpolations to create lush soundscapes—there are a ton of credits at hand.
Beyoncé is back.Queen Bey's seventh album, "Renaissance," was released last week. It's her first studio album since 2016's "Lemonade.
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